We parked along the grass path. Me with a Škoda Citigo, Alyosha with a totally professional jeep and a camera.
"No, it would still be advisable for the director to see you, if only for two minutes", the curator tells us, after easy recognition at the entrance to the Museum. OK, why not, it's only polite to call. Good day, we say and introduce ourselves, I'm Zoran so-and-so, this is Alyosha so-and-so, a reporter for the English program of Chinese television, he's doing a short report on "Pipistrel's" ultra-light planes, pleaseI wanted to briefly say something about the advantages of ULL in 10-15 seconds, and we would film those 10-15 seconds in front of the Museum. "Oh, I'm afraid of journalists," says the director of the Museum. "We didn't come for you, we just want you to know that we will film a short story outside, with the Museum building visible in the background." The director, a retired ex-army financier by the way, checks to see if he heard correctly: "You say you're from Pipistrel TV?" No, he is a colleague from Chinese television, and the story is about the Pipistrel plane... "Yeah. And you", he asks me, "what do you do?" Well, what can I tell you, I'm talking a little about aviation and the media...
"No problem, you can record. Colleague", he addresses the curator who is still with us, "how much did our watch cost?" "4-7 thousand". "There, you see", he now glances at the two of us, "you see that it's not much, each started hour is only 4-7 thousand." Dear sir, I say, we only came to inform you about those few minutes in front of the Museum building, not with a bag of money. "Ah, that can't be done. It has to be paid.” Thank you, we say, goodbye.
We recorded my ultra-short statement about ultra-light aircraft in the very third place, but that doesn't matter anymore. It is important that you, Facebook flyers, while reading this, surely recognize the mentioned Museum. Interestingly, I don't recognize him. After the triple military coup even less. I try to recall him through some long years during which we forged him into stars wherever we went, and through dear characters whose appearance always brightens me. Coincidentally, none of them were there that day, not even as a hologram…
You know, with this museum we are all filled to the brim. And we always entered it as if it were our own house, even with a welcome. Today I entered mine and left someone else's. A strange feeling. Heavy on his feet. It's as if someone put Mr. Cokula's shoes on me with a "good morning".
Cokule number 4-7. One thousand?
Source: Zoran Modli, Facebook page
READ THE INTERVIEW WITH ZORAN MODLI
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